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Harlequin Productions of Cayuga Community College is thrilled to announce the world premiere of Auburn playwright Jason Manning's "Knuckles", a biting comedy. Performances of this hilarious look at modern love when surrounded by dysfunctional people, will be March 18-20 and 25-27 in the College's Bisgrove Theatre. All performances will begin at 8PM and admission is the amazingly affordable $5 for general admission and only $1 for students. Tickets will be available at the door.
Knuckles is Manning's fourth play produced at the College. A CCC student in the 90's, Jason is one of the founders of the sketch comedy troupe; the "Baby Seal Club" and has recently been seen in the Auburn Player's Importance of Being Earnest as well as at the Sterling Renaissance Faire and the Skaneateles Dickens Festival. He submitted the fast-paced Knuckles to Bob Frame, Cayuga's Director of Theatre a couple of years ago but the conditions weren't quite right. Now after numerous re-writes and the gathering of just the right group of student actors and crew; Frame decided to take the plunge.
Knuckles is the life and love story of young Max, a nebbish of stellar qualities. After sharing some of his adventures with cheerleaders and HS jocks (does the word "wedgie" ring any bells?). Max informs his overprotective mother that he needs to move to NYC to follow his dream of becoming an actor. In the city Max meets Maggie, a neurotic young woman with a passion for Hot Chocolate and falls in love. But just like everything else in his life, being in Love, getting married and having a baby is not easy -but it sure is a journey of uproarious proportions! And that's even before we meet Jack and Jill and the troubles with their marriage!
Sophomores Zac Darling and Miranda J. Coll are featured as the inept lovers Max and Maggie. They are ably assisted by the talents of Brien Bianchi, Sarah DelFavero, and Kenny Baker as the crazy family with Alaric Robin and Tarin Bonvino as the broken-crowned pair. Rounding out the cast, are the multi-faceted talents of Christopher Competillo, Briezy A. O'Connell, Brian Henry, Bethany McCormick, Kait Lothridge and Natasha Lathrop. Students Suzanne B. Smith and Caryl Frame serve respectively as Assistant Director and Stage Manager. Rounding out the student tech crew are Alex Johnson, Lance Gaines, Joseph Campanella, Jonathan Bacon and Ben Keeler. Of course these students need guidance and Frame has assembled a solid core of professional Designers and staff. Scenery will be designed by Robert Andrusko, Lighting: Brad McLean, Costumes: Allison Fennessy, Props: Mary Manning and Adam Williams will design the Poster and program graphics.
For further information contact: Bob Frame at 315-255-1743, ext 2340
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Auburn, NY -- All the big stars will be walking the red carpet Sunday at what film-loving America calls The Oscars.
There will be a red carpet in Central New York, too.
The folks at the Auburn Public Theater are throwing their annual fundraising bash on the night of the Academy Awards. They’ll show the awards broadcast on the cinema screen. They’ll present the Absolute Dance Company and some surprise musical guests.
And everybody who attends will be encouraged to take the red carpet stroll and pose for pictures.
Fabulous.
THE DETAILS
WHAT: Academy Awards party.
WHEN:7 p.m. Sunday.
WHERE: Auburn Public Theater, 108 Genesee St., Auburn.
TICKETS:$8, available at the door.
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Auditions: The Auburn Players Second Stage is auditioning
for the original musical "We're No Angels - We're Imps" by Joyce Hackett Smith
is Saturday, March 20, from 2-5pm at the
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Springside Inn to Feature McKechnie, Budd, DeGennaro, Rogers and MoreBy Andrew Gans
26 Feb 2010
Donna McKechnie A host of theatre talent — from both sides of the stage — will be featured in the debut season of the Springside Inn's new Broadway series in Auburn, NY.
The new dinner theatre series is dedicated to the memory of Auburn native Thommie Walsh, the late two-time Tony and Drama Desk Award winner. The producers of the new series are A Chorus Line's Baayork Lee, director/choreographer Merete Muenter and Barbara Walsh, sister of the late Thommie Walsh.
The series will launch March 26-27 with Kooky Tunes, which is described as a "special mélange of comic tales and tunes." The cast boasts Patrick DeGennaro, Vanessa A. Jones, Perry Payne, Jay Rogers and Keith Thompson.
April 9-10 will feature Tony winner Donna McKechnie's latest one-woman show. Les Miserables's Richard Jay-Alexander (Guys in Dolls in Concert at the Hollywood Bowl, Barbra Streisand and Bernadette Peters concerts) will direct the evenings, which will feature musical direction by Eugene Gwozdz. Plans are underway to bring the original A Chorus Line star's new show to Australia.
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Celebrated vocalist Julie Budd will conclude the series, playing April 23-24. Budd has graced the stage of Carnegie Hall, Lincoln Center and The Kennedy Center, among others.
Springside Inn and Restaurant (at 6141 West Lake Road), owned and operated by Sean Lattimore, plays host to the productions. To purchase tickets or for more information, visit www.springsideinn.com.
*
Walsh was attached as director to all three upcoming performances before passing away from complications of lymphoma in June 2007.
via www.playbill.com
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Oscar is downsizing this year!
Sunday, MARCH 7th, 2010 at 7:00pm
$8/person...yes, you read it right!
Red Carpet Entrance Ceremony* PIZZA & WINGS!!! * Cash Bar * Live telecast of the award ceremony on our cinema screen* Bob Lyna & Friends * the dance stylings of Absolute Dance Company and some surprise musical guests (YOUR PICTURE HERE)
The dress for the evening is whatever makes you feel fabulous!
Purchase tickets here or at the door.
Questions? (315)253-6669
______________________________________________________________________
This Weekend at Auburn Public Theater
Friday amd Saturday, February 26th & 27th
THE OWASCO WATERSHED NETWORK - A Winter Celebration
*Owasco Watershed Network (OWN) Demonstration
*A Message from OWLA
*A special video and book signing by John McCarthy
Sponsored by IAGT
6:30pm FRIDAY ONLY - Free
CABARET - The Magic of Disney
Featuring songs from Cinderella, Sleeping Beauty, Toy Story, The Little Mermaid , Beauty and The Beast and so much more!
7:00pm - $8 adult/$2 Chilren under 12 (at the door)
FILM - AFGHAN STAR
2009 Sundance Awards:
Best World Cinema Documentary Director & World Cinema Documentary Audience Award
8:00pm - $5 (at the door)
_____________________________________________________________________________
Covered Parking next door in the Auburn City Parking Garage
Auburn Public Theater
108 Genesee (entrance of The Exchange Street Pedestrian Mall)
Downtown, Auburn
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Syracuse, NY -- Syracuse Area Live Theater is switching its annual awards ceremony to the Palace Theatre for 2010.
After three years at Syracuse Stage’s Archbold Theatre, SALT founder Art Zimmer said the move was made to accommodate a larger audience. The shift means that 700 can attend, while the Archbold seats about 200 fewer.
Zimmer will act as master of ceremonies when the prizes are handed out April 25 to more than three dozen winners representing professional, summer and community theater. The awards are sponsored by the Syracuse New Times.
Here are the nominees, announced today:
PROFESSIONAL THEATER
Play of the Year: “Crowns,” “The Diary of Anne Frank,” “Gutenberg! The Musical,” “Little Women” and “Picasso at the Lapin Agile.”
Director of the Year: Timothy Bond, Patdro Harris, Rachel Lampert and Anthony Salatino.
COMMUNITY THEATER
Play of the Year: “Glengarry Glen Ross,” “My Name is Rachel Corrie,” “One Flew Over the Cuckoo’s Nest,” “Talking With,” “The Pillowman” and “Trumbo: Red, White and Blacklisted.”
Musical of the Year: “The 25th Annual Putnam County Spelling Bee,” “Ruthless! The Musical,” “James Joyce’s ‘The Dead’,” “West Side Story” and “White Christmas.”
Leading Actress in a Musical: Julia Berger and Julia Goodwin, both in “Ruthless! The Musical,” Danielle Nash in “The 25th Annual Putnam County Spelling Bee,” Aubry Ludington Panek in “James Joyce’s ‘The Dead’” and Brandi Ozark Weston in “White Christmas.”
Supporting Actress in a Musical: Susan Blumer and Lorraine Grande, both in “James Joyce’s ‘The Dead’,” Christine Lightcap in “White Christmas,” Maria Pedro in “West Side Story” and Carmen Viviano-Crafts in “The 25th Annual Putnam County Spelling Bee.”
Leading Actor in a Musical: Jimmy Curtin in “Ruthless! The Musical,” Kevin McNamara in “James Joyce’s ‘The Dead’,” Tim Quartier in “West Side Story,” Dana Sovocool in “A Christmas Survival Guide,” Gary Troy in “White Christmas” and Dan Williams in “The 25th Annual Putnam County Spelling Bee.”
Supporting Actor in a Musical: Shawn Forster in “Mid-Life: The Crisis Musical,” Alex Gherardi in “The 25th Annual Putnam County Spelling Bee,” Chad Healy in “West Side Story,” Bill Molesky and Joe Pierce, both in “James Joyce’s ‘The Dead’,” and Michael Spinoso in “A Funny Thing Happened on the Way to the Forum.”
Leading Actress in a Play: Theresa Constantine in “One Flew Over the Cuckoo’s Nest,” Binaifer Dabu in “Talking With,” Jillian Dailey in “My Name is Rachel Corrie” and Kathleen Wrinn in “Woman in the Blue Dress.”
Supporting Actress in a Play: Binaifer Dabu twice, for both “Dr. Jekyll & Mr. Hyde” and “Lend Me A Tenor,” Anne Fitzgerald in “Poor Superman,” Rosemary Paladino-Leone in “Talking With” and Erin Race in “Bash.”
Leading Actor in a Play: J. Brazill in “One Flew Over the Cuckoo’s Nest,” Garrett Heater in “The Pillowman,” Bill Molesky in “Trumbo: Red, White and Blacklisted” and Michael O’Neill in “Glengarry Glen Ross.”
Supporting Actor in a Play: Josh Canfield, Phil Davoli and Wil Szczech, all in “The Pillowman,” and Keegan Lounsberry in “Werewolf.”
Director of the Year/Play: Garrett Heater, John Nara, Dan Tursi and David R. Witanowski.
Director of the Year/Musical: John Nara, Dan Tursi and David R. Witanowski.
Musical Director of the Year: Nadine Cole, Roy George, Catherine Rush Osinski and Josh Smith.
SUMMER SEASON
Production of the Season: “A Chorus Line,” “Dirty Blonde,” “Gross Indecency: The Three Trials of Oscar Wild
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"Macbeth" can’t wear thin with theatergoers unless it’s butchered. Syracuse Shakespeare Festival’s production of the tragedy is far from that. It is vigorous, marked by a very fine performance in the title role by Robert DeLuca, an exciting sword fight, a trio of creepy witches, plus actors who have no problem grappling with Shakespeare’s poetry.
DeLuca is close to matched for acting honors by the Lady Macbeth of Nora O’Dea and the Macduff of Trevor Hill, although the latter has rasping moments as he roars through the heavy parts. The witches, aka weird sisters, are portrayed with panache by Cathy Greer English, Korrie Strodel and Sophia Beratta. Capping it off, Tom Minion plays the beloved King Duncan, then assumes a modest disguise for one of the murderers and finally wraps it up with a deft comedy turn as an addled doctor.
Macbeth’s character is ambitious but not half as conniving as his wife, who will cajole, reason, plead and even flirt to ensure her husband will be crowned king. Murder upon murder ensues until Macduff decides to go toe to toe with Macbeth in a bloody battle. Meanwhile, the witches hover over the story, exerting their eerie presence.
Director Dan Stevens has a strong grasp on his players yet fails to take advantage of the New Times Theatre venue, where, with small changes, he could have eliminated some of the awkward cast exits. In addition, he permits Macduff to fall into a line with his soldiers instead of keeping him always in front of them, as any leader would be.
The show runs weekends through Feb. 27.
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The Syracuse University production of Shakespeare's comedy "The Two Gentlemen of Verona" is a feast for the eyes and ears, and it thoroughly delighted the capacity opening night audience.
It is one of Shakespeare's earliest plays -- maybe his very first -- and critics and scholars have long tended to point out what they call its "immature" features.
But the SU production, directed by Elizabeth Ingram and with a strong cast and creative team, makes you think that the play was probably a savvy choice for a new playwright out to woo paying audiences.
What might playgoing Elizabethans like?
How about a light romantic comedy that spoofs the rhetoric of young love, but at the same time makes audiences sympathize with the pangs of young lovers.
And how about throwing in some ribald, gut-busting comedy; some dastardly scheming and betrayal; and for good measure, a young woman masquerading as a boy servant, working for the fickle man she loves.
Then add a happy ending that sends audiences out with a cheerful, lighter-than-air feeling.
Although the plot develops a few convolutions, and slows down a bit in the second act, at core it is pretty simple.
Valentine (Kenny Metzger) and Proteus (Luke Wygodny) are adolescent men, best pals, and at the play's opening we see them roughhousing as pals can.
Proteus is head over heels in love with Julia (Sammi Lapin). Soon, Valentine falls in love with the incomparable Silvia (Liz Tancredi). And then Proteus decides that he loves Silvia instead of Julia, and he plans to backstab Valentine (maybe not literally) and get Silvia for himself. Eventually, after a few harrowing episodes -- including Proteus' attempt to rape Silvia -- the young lovers sort things out.
The set (Seurkee Cho) and lighting (Robin Dill and Katherine Elizabeth Walters) beautifully evoke the spacious walks and terraces of a realm where dreams can come true.
Costumes (Bethany Post) are immensely attractive, enhance character and don't impede movement. As the whole cast dances in at a masquerade party early in act one, the colorful effect is overwhelming.
It all seems effortless, but there's an interesting display in the lobby of the Storch Theatre showing how several of the production's designers, students in the Department of Drama, developed their work, starting with research and following up with numerous trial sketches and models.
From the start, the play evokes from the audience a rueful sympathy for the younger characters, who talk eagerly and idealistically about love but don't know anything about it.
Like most of the other performers, Proteus and Valentine deliver the love rhetoric clearly and intelligently, without getting bogged down in introspection. The servant Speed (Justin Nichols) deserves his name.
Lappin does wonderful work as Julia, Proteus' beloved. At first, she seems childlike and naive -- 16 going on 13, say. She doesn't know how to react to Proteus' passionate letters. Her knowing maid Lucetta (Farasha Baylock) does what little she can to clue Julia in. Then, when Proteus moves to Milan, Julia decides to dress like a boy and follow him. ("You'll need a codpiece," Lucetta teases her.)
In Milan, Julia (aka Sebastian), sees Proteus' love for Silvia, and she hears him say that Julia "is dead." She grows up fast, pushing through her own grief and knowing that she still loves Proteus.
When Proteus sends Julia to Sylvia with a love letter, the scene between Julia and Sylvia is especially touching and powerful -- two women, one of them immersed in the identity of a young boy, who actually understand what love is about.
As Silvia, Tancredi first appears at the masquerade in a sun-goddess mask -- golden rays shooting out around her head. For most of the play, Tancredi plays Silvia with a bit of rese
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Courtesy of Appleseed Productions "The Insanity of Mary Girard,” presented by Appleseed Productions, features (from left) Katie Deferio, Dan Williams, Katharine Gibson (who plays the title character), Michael Carroll, Theresa Constantine and Binaifer Dabu. Community theater troupes rarely take risks as they struggle to break even while attracting audiences.
Appleseed Productions’ “The Insanity of Mary Girard,” based on a real 18th-century women, marks an exception. The 75-minute play furnishes a richly rewarding, yet disturbing, experience, and it is performed by an ensemble that wholeheartedly deals with the difficult subject.
Women were little more than slaves in the late 18th century, when Mary Girard was sent to an insane asylum by her husband as punishment for becoming pregnant by another man. At first, Mary believes she will be released. After all, her husband is wealthy and can buy her way out, plus she is ignorant of the fact it is he who committed her.
But arrogant Stephen Girard’s pride has been wounded, and he has little regard for her as a person. Legally, he is her guardian, as if she were a child. Some women lack sympathy. Lie to him, one advises, and let him believe he is the father.
Ultimately, the husband is willing to keep paying for her confinement and permit the baby to be sold.
Infidelity is also an issue. Mary knows that her housekeeper is her husband’s mistress. On the other hand, Mary has indulged in several affairs, which her husband also knows about. Were they conducted to attract his attention or were they a cry for help?
In the brief span, the seven-member cast conveys a deeply felt sense of the era’s appalling gender roles, but also does it with an air appropriate for the 18th century. The horrors of the past make audience members grateful they live in the 21st century, but many themes unfortunately remain relevant.
Katharine Gibson does an excellent job encompassing Mary’s range of emotions. She never misses a beat. Two newcomers also impress: John Gross as the husband and Katie Deferio as the mistress. They are part of an ensemble that could scarcely be finer, and for that, director Deborah Pearson deserves great credit.
Pearson has staged it minimally with her cast crawling, creeping and circling the protagonist. In addition, she merits praise for finding Lanie Robertson’s drama, as does Appleseed for including it in the season.
Due to its length, there is no intermission. Instead, Appleseed has instituted a talk-back session that will follow the traditional serving of dessert. Throughout the three-weekend run, experts in history, law, women’s rights, prisons, the women’s movement as well as women’s health, will engage with the theatergoers. The play runs through Feb. 6.
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Performer #1 - Logan
Gabby - Jack Sherman
Karla - Patty Fisher
Maria - Michaela Oney
Narrator - Sharon Dec
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MARY GIRARD’ OPENS FRIDAY
Community theater companies resume after the holiday recess with “The Insanity of Mary Girard,” which Appleseed Productions opens at 8 p.m. Friday at Atonement Lutheran Church, 116 W. Glen Ave., Syracuse.
Central New York premiere of this work by Lanie Robertson, casts Katharine Gibson in the title role of a woman committed to a mental institution for the criminally insane by her husband (John Gross) after she becomes pregnant by another man.
The fantasy drama is being directed by Deborah Pearson. It plays weekends through Feb. 6.
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Little Women, the musical stage production based on Louisa May Alcott’s enduring novel about the March sisters and their intrepid mother Marmee that has just opened at Syracuse Stage, raises the question of whether there can be too much of a good thing. There is so much about this production that is good and generous that one feels a tad like Scrooge to mention this at all. Set in the 1860s at the March’s sturdy clapboard home in Concord, Massachusetts – with brief excursions to New York City, Paris and the Atlantic shore – Little Women begins in the attic with the oldest daughter Jo (the gifted Sarah Shahinian) rummaging in the four tin keepsake chests that hold mementos of a past shared with her sisters Meg (Mary Kate Morrissey), Beth (Jenaha McLearn) and Amy (Aisling Halpin). Shortly Beth joins Jo – so powerful are such memories that they can raise those who are lost – and the two embark on an extended flashback that begins four days before a long-ago Christmas. Having provided the script for a Christmas melodrama – she plays the dashing hero Rodrigo – young Jo is whipping her reluctant sisters into shape for rehearsal. It’s war-time and there’s barely money for essentials, never mind presents – which greatly pains Amy. Their father (Joe Whelan) is away in the South with the Union Army serving as a chaplain. A genteel intellectual – later he remarks about an on-going argument with the philosopher Emerson – who’s preached against slavery for twenty years, he’s insisted on going to war over the strenuous objections of his imperious sister, Aunt March (Sandra Karas). It’s her project to make young ladies of the March sisters. Their mother Marmee (Marie Kemp, who has indeed mothered the entire production from a 2007 student workshop reading) holds the family together with good-natured patience, the example of good works and forward-looking wisdom. And so the sisters emerge, three to find partners who suit them; considerable time is devoted to how this occurs with each. (Dominique Stasiulis as Laurie and David Studwell as Fritz are especially well cast and excellent.) Beth catches scarlet fever while nursing the sick infant of a poor family and, already frail, dies young – Jo’s first experience with the limits of her own force of will. So much care has been lavished on this production that it really does seem like the best kind of homemade gift. The casting is uniformly excellent; our drama students hold their own with out-of-town Equity members. Our own Tony Salatino does double duty as choreographer and director; the performances are crisp, graceful, physically detailed and emotionally satisfying. Troy Hourie’s set design of the March house provides perspectives both inside the attic’s great peaked rafters and from a distance, mirroring the ways that our relation to home billows and contracts over the years. Tracy Dorman’s rich costuming even extends to whole-ensemble wardrobes for such brief scenes as a single busy Manhattan street. Kim Oler and Alison Hubbard, who produced the show’s 20 wonderful songs, personally participated in final adjustments for this production
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'EVERYBODY LOVES PIRATES’ AT OPEN HAND The swashbuckling sailors of the seas are on tap for “Everybody Loves Pirates.” The production marks the return to Open Hand Theater’s “A World of Puppets” series at 11 a.m. Saturday at Open Hand’s Castle location at 518 Prospect Ave., Syracuse.
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Nowhere does the device work better than in the casting of diminutive (4-foot-11) Indian-American actress Binaifer Dabu. When we first see her she’s a crying child with a shawl over her head. A few minutes later she’s transmogrified into a man (shades of Linda Hunt in The Year of Living Dangerously!). First it’s the servant Poole, a character that appears in Stevenson’s novella, although usually as a stolid Brit. Here, dressed in a dark morning coat and trousers, Poole also sports a white turban and speaks with a muted Indian accent. More men and more women and possibly a hermaphrodite will follow.
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The Associated Press, 2008Actress
Patricia Neal, who won an Academy Award opposite Paul Newman in "Hud, "
will perform in "A Christmas Memory" at the Auburn Public Theater in
December.
Auburn native Joanne O’Connor was reminiscing about her days of reciting prayers as a seventh-grader at Holy Family Catholic elementary school.
Every school morning, after she and her classmates pledged allegiance to the flag and mumbled a prayer, their teacher, Sister Ceaphus, would ask them to offer an “extra special prayer” for actress Patricia Neal, who had suffered a series of debilitating aneurysms in 1965.
The details
What: “A Christmas Memory,” featuring Patricia Neal and Joel Vig.
Where: Auburn Public Theater, 108 Genesee St., Auburn
When: 7:30 p.m., Dec. 4; 3 p.m. and 7:30 p.m., Dec. 5
Tickets: $28 for adults; $25 for students, seniors and
children 14 and younger. The box office is open 10 a.m. to 4 p.m.
weekdays, or tickets can be purchased online at www.auburnpublictheater.com.
The class prayed for Neal for weeks, perhaps months, O’Connor recalled last week, and their prayers were answered. Neal regained her ability to talk and walk with a flourish and resumed her award-winning career onstage, in the movies and on television.
At 83, Neal is still acting and is coming to the Auburn Public Theater in December to perform Truman Capote’s classic holiday short story, “A Christmas Memory.”
O’Connor, a former off-Broadway actress, thinks those seventh-grade prayers also played a role in luring her friend Neal to Auburn.
“We’d always say an extra prayer for her, and now, more than 40 years later, she’s going to be right here ... in Auburn. I think those prayers worked,” O’Connor said with a laugh from her New York City home.
Neal and Broadway star Joel Vig, who adapted Capote’s story for the stage, will perform three shows on Dec. 4 and 5. Neal, speaking in her trademark Southern accent, said she can’t wait for the Auburn gig.
As it turns out, it was more than prayers that spirited Neal and Vig to agree to perform Capote’s holiday tale about family, friendships and fruitcakes at the Auburn theater. Connections and coincidence played key roles, too.
O’Connor, who has family in the area, returned home in July to hear folk singer Judy Collins perform in Skaneateles. While there, she struck up a conversation about Capote with Angela Daddabo, the artistic director at Auburn Public Theater. By chance, the two were seated near each other and were told by a mutual friend to look for one another at the concert.
Daddabo went on to tell O’Connor how much she loved Capote’s writing in “A Christmas Memory.”
Paramount Pictures via The Associated PressActress Patricia Neal (right) appears in a scene from "Breakfast at Tiffany's" with George Peppard and Audrey Hepburn.
The rest is history. O’Connor told Daddabo of her friendships with Neal and Vig and asked Daddabo if she would like them to perform the Capote classic in Auburn.
“I would have welcomed Patricia Neal to come and read her grocery list. ... No questions asked,” Daddabo said last week.
O’Connor, who moved to New York City in 1979 to pursue an acting career and now works as an events planner, said she ran the idea by Neal and Vig. They perform the play a couple of times a year around the country and welcomed the opportunity to perform in Auburn, she said.
“I’m in the event business, so I’m always about bringing the show, opening the curtain. ... This is a fabulous opportunity for Auburn,” O’Connor said.
In 1964, Neal won an Academy Award as best actress for her performance alongside Paul Newman in the movie “Hud.” She also won a Tony Award for best actress in the play “Another Part of the Forest’’ and starred in a long list of Broadway plays and on television. Vig was a member of the original cast of the Broadway musical “Hairspray,” which won the Tony Award for best musical, and he has written and directed many other plays.
Neal is looking forward to performing in Auburn, she said during a phone interview from Martha’s Vineyard. And she never tires of listening to O’Connor reminisce about that seventh-grade class offering prayers in her name.
“A lot of people did that. Thank God for that,” Neal said.
--Scott Rapp can be reached at srapp@syracuse.com or 289-4839.
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Syracuse Stage receives national grant (Syracuse Stage is one of thirteen theatres across the nation to receive a grant for Future Audiences from the New Generations Program, a grant initiative cooperatively designed by the Doris Duke Charitable Foundation, the Andrew W. Mellon Foundation and Theatre Communications Group (TCG). Syracuse Stage will receive $77,000 to help expand and strengthen existing, unique, and innovative audience development programs that have proven effective in reaching young, culturally specific and/or underserved audiences. Future plans for attracting theatergoers to Syracuse Stage include live music during the post-show opening night celebrations in association with WAER 88.3, LGBT Pride Night Series, Actor Talkback Series, Welch Allyn Signed Interpreted Performance Series, Wednesday @ 1 Lecture Series, M&T Bank Pay What You Can Nights, involvement in Syracuse’s TH3 citywide arts open, and special events in association with the groups CNY Reads, 40 Below, Pulse at Syracuse University, Onondaga Historical Association and other area groups. PROGRAMS AT SYRACUSE STAGE Opening Nights: LIVE in the Sutton. Come for the show, stay for the music. Join us in celebrating opening night performances, with live music in the Sutton Pavilion following the show. Mingle and meet the actors. Tonight the bar stays open late! Presented in association with WAER 88.3. October 16 – Picasso at the Lapin Agile November 27 – Little Women December 12 – This Wonderful Life January 29 – The Price February 26 – Lookingglass Alice March 26 – Almost, Maine May 7 – Fences LGBT Pride Night. Get IN with the OUT crowd. Join us an hour before the show for a gathering of gay and gay-friendly theatergoers. Stay tuned for special appearances, prizes, performances and featured groups - plus complimentary refreshments. October 15 – Picasso at the Lapin Agile Featuring a portion of the The AIDS Memorial Quilt, presented in association with CNY HSA, cnyhsa.com/ December 10 – Little Women & This Wonderful Life January 28 – The Price February 25 – Lookingglass Alice March 25 – Almost, Maine May 6 - Fences Actor Talkback Series. A comfortable forum following Sunday evening performances where your questions are answered by members of the cast or director and/or members of the Syracuse Stage staff. October 18 - Picasso at the Lapin Agile November 29 – Little Women January 31 – The Price February 28 – Lookingglass Alice March 28 – Almost, Maine May 16 – Fences Welch Allyn Signed Interpreted Performance Series. In Memory of Susan Thompson. American Sign Language interpreted performances. October 24 at 3 p.m. – Picasso at the Lapin Agile December 5 at 3 p.m. – Little Women December 19 at 3:30 p.m. – This Wonderful Life February 6 at 3 p.m. - The Price March 6 at 3 p.m. – Lookingglass Alice April 3 at 3 p.m. – Almost, Maine May 29 at 3 p.m. - Fences Wednesday @ 1 Lecture Series. Join us an hour before Wednesday matinee performances for interesting and informative lectures relating to the current production. October 28 - Picasso at the Lapin Agile December 9 - Little Women February 10 - The Price March 10 - Lookingglass Alice March 31 - Almost, Maine May 26 - Fences M&T Bank Pay What You Can Series. Theatre for all. Tickets to select dress rehearsals are available for a suggested donation of $5, available at the door or by calling 443-3275. Note a photographer may be present, and portions of the theatre may not be available for seating. Upcoming dates TBA The Third Thursday (TH3). Syracuse’s citywide arts open. View designer renderings of our sets and costumes, sit in on a dress rehearsal, or stop by for some snacks! October 15, 6 – 8 p.m. A portion of The AIDS Memorial Quilt can be viewed in the Sutton Pavilion.
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Auburn Public
Theater Main Stage
Tickets for all APT events can be purchased online at www.auburnpublictheater.com (no fee) or at our box office Tuesdays 10 - 4pm or Tuesday/Friday/Saturday 7:00-10:00pm.
Saturday, August 15th
at 7:30pm
A Concert with
BOB LYNA and FRIENDS (including Rich
Curry, Chris Bauso, Bob Brower & Chris Molloy)
Join one of Auburn's most
talented musicians and a whole host of friends for a special evening of great
music from the 50's through the 80's.
Thursday, August 20th
at 7:30pm
An evening of
music with JEFF CONNOR
A night of original and popular
music with local musician Jeff Connor and a backing band of other local talent
including his brother, Adam Connor and
bassist Shane Aaserud. $5 at the
door
Thursday, September
10th at 7:30pm
Cayuga
County Arts Council & APT proudly present
Mentalist
BOB LAWSON - A benefit for The Cayuga County
Arts Council
Bob Lawson has many years of
experience as a professional performer. Bob thrilled his audience with his quick
wit and fun show. I had such a good time watching him take his audience on a
wild trip into his world of ESP. Thoroughly enjoyable!" Bob Lawson's Mental
Mystery Tour is the show that makes the Audience the star. An amazing blend of
mind reading and mental
effects blended with lots of
comedy. This is the show that will be talked about for weeks and remembered for
years. Academy Award winning actress Joan Fontaine said, " This was one of the
most fun shows I have seen in a very long time". Bob Lawson's Mind Games show,
it may be the only show of its kind on this or any other world. This show is an
audience participation Mind Reading show that entertains and amazes. When
audiences are not holding their sides from laughing at Bob's unique brand of
humor, they are holding their heads and wondering how Bob accomplishes these
incredible mental feats.
Saturday, September
12th at 8:00pm
A Concert with
Maestro IRSHAD KHAN - A Sitar
performance of Indian traditional, classical and fusion music
With - Ravi
Singh: Tabla Sriram Bakshi: Tanpura
Don Dinino: Guitar
Known as "The Mozart of Indian
Music", Irshad Khan is considered among the world's best Sitar players, the
leading Surbahar (BassSitar) player of his generation and among the finest
instrumentalists of the world. His individual stamp in both these instruments
ascends from the distinctiveness of his technique and mental prowess, is
renowned not only for his mastery of these two instruments, but for his unique
presentation of the different genres of Indian classical music, and his mastery
of the intricate "gayaki-ang"(vocal) and "tantra-ang"(instrumental) styles,
makes Irshad Khan one of the most dynamic musicians of today. His style is
followed and inspired by many formative and professional sitar players of his
generation. His dedication to the subtleties of the raga is in bringing out its
essence in rendering its pure form of feelings and expressions from meditative
to playful, serene to heroic, devotional to romantic. Being recognized as a
child prodigy, today he has emerged to be among the most sought after and
versatile Indian musicians of India. Has achieved unparalleled mastery over
sitar-surbahar technique and in different genres of Indian music such as
Dhrupad, Khyal, Tappa, and Thumree. With uncompromising dedication in training
both vocally and instrumentally, gained proficiency in classical vocal, hence
achieved phenomenal control in combining the intricacies of "gaiki-ang"(vocal)
with the "tantra-ang" (instrumental) styles, which has made Irshad Khan one of
the world's most dynamic musicians of today. Whether he is performing pure
classical, folk, or worldbeat/newage, audiences are stunned by his breathtaking
virtuosity and profound musicality. This remarkable versatility allows him to
transcend cultural barriers and turn each performance into a spellbinding and
unforgettable experience for audiences everywhere. Through his performances and
international press accolades and groundbreaking albums, he has proved to be an
outstanding World musician.
To learn more and to hear music
samples, please visit: www.irshadkhan.net
Saturday, September
19th at 7:30pm
BOB PIORUN and
"The Convertibles"
Veteran Central New York musician Bob Piorun discovering the great
possibilities of the guitar synthesizer decided to form a band to utilize its
potential. The guitar synth is able to duplicate the sounds of horns, keyboard
and strings.With this in mind Bob first thought of
____________________________________________________________
AUBURN PUBLIC
THEATER CINEMA
Fridays & Saturdays at 8pm *
All movies only $5 ($4 online)
August
14th and 15th
UNMISTAKEN
CHILD
The Buddhist
concept of reincarnation, while both mysterious and enchanting, is hard for most
westerners to grasp. UNMISTAKEN CHILD follows the 4-year search for the
reincarnation of Lama Konchog, a world-renowned Tibetan master who passed away
in 2001 at age 84. The Dalai Lama charges the deceased monk's devoted disciple,
Tenzin Zopa (who had been in his service since the age of seven), to search for
his master's reincarnation. Tenzin sets off on this unforgettable quest on foot,
mule and even helicopter, through breathtaking landscapes and remote traditional
Tibetan villages. Along the way Tenzin listens to stories about young children
with special characteristics, and performs rarely seen ritualistic tests
designed to determine the likelihood of reincarnation. He eventually presents
the child he believes to be his reincarnated master to the Dalai Lama so that he
can make the final decision. Stunningly shot, UNMISTAKEN CHILD is a beguiling,
surprising, touching, even humorous experience
August
21st, 22nd, 28th and
29th
FOOD,
INC.
For most
Americans, the ideal meal is fast, cheap, and tasty. Food, Inc. examines
the costs of putting value and convenience over nutrition and environmental
impact. Director Robert Kenner explores the subject from all angles, talking to
authors, advocates, farmers, and CEOs, like co-producer Eric Schlosser (Fast
Food Nation), Michael Pollan (The Omnivore's Dilemma), Gary
Hirschberg (Stonyfield Farms), and Barbara Kowalcyk, who's been lobbying for
more rigorous standards since E. coli claimed the life of her two-year-old son.
The filmmaker takes his camera into slaughterhouses and factory farms where
chickens grow too fast to walk properly, cows eat feed pumped with toxic
chemicals, and illegal immigrants risk life and limb to bring these products to
market at an affordable cost. If eco-docs tends to preach to the converted,
Kenner presents his findings in such an engaging fashion that Food, Inc.
may well reach the very viewers who could benefit from it the most: harried
workers who don't have the time or income to read every book and eat
non-genetically modified produce every day. Though he covers some of the same
ground as Super-Size Me and King Korn, Food Inc. presents a
broader picture of the problem, and if Kenner takes an understandably tough
stance on particular politicians and corporations, he's just as quick to praise
those who are trying to be responsible--even Wal-Mart, which now carries organic
products. That development may have more to do with economics than empathy, but
the consumer still benefits, and every little bit counts.
September
4th and 5th
VISIONEERS
First time feature
filmmaker Jared Drake makes his directorial debut with this quirky black comedy
set in the near future, and concerning a curious spike in cases of spontaneous
human combustion. The Jeffers Corporation is the largest business in the history
of mankind, and they got that way thanks to their strict philosophy of happiness
through mindless productivity. But when people begin literally exploding due to
unhappiness, Jeffers Corporation Level Three TUNT George Washington
Winsterhammerman (Zach Galifianakis) begins to fear that his time will come
sooner rather than later. George lives a comfortable yet completely uneventful
life, and when he starts having dreams in which he's the first President of the
United States, his doctor informs him that they could be signs of impending
explosion. Later, as the dreams become more frequent and his co-workers continue
to detonate, George is prompted to reevaluate his mundane existence. Judy Greer,
Missi Pyle, and James LeGros co-star in an existential black comedy featuring
music by Tim DeLaughter of the Polyphonic Spree.
September
18th and 19th
WENDY &
LUCY (R)
Kelly Reichardt's
second feature, Wendy and Lucy, has even more Pacific Northwest piney
quietude than her debut Old Joy, since its starring couple is a
canine-human pair rather than a male duo. Will Oldham again makes a charged
appearance, this time as Icky (Will Oldham), a grungy, train-hopping punk. Based
on a short story, this time Jonathan Raymond's "Train Choir," Wendy and
Lucy's dialogue is a sparse spattering amongst long, languid scenes that
moodily portray a young woman, Wendy (Michelle Williams), suffering economic
crisis and road trip malaise on her way to work Alaskan fishing boats. The bulk
of the story takes place in Portland, where her Honda breaks down and she must
engage the local mechanic (Will Patton) and Walgreen's security guard (Wally
Dalton) for honest advice and for help finding her dog, Lucy, who disappears
during one of Wendy's disasters. Wendy and Lucy would aptly be titled
Wendy's Bad Day, as problems pile up due to one main misstep. Williams does a
great job portraying a woman who is semi self-sufficient but clueless in the art
of survival. As the film speaks to many young people who have been broke and
stranded, one will inevitably wonder why Wendy makes the unwise choices she
does, for example sleeping in a dangerous area along a train track instead of
finding a safer campground, or wandering the streets looking for her lost pooch
in lieu of hunkering down for a temporary part-time job. The film straddles the
line between social realism and fantasy in this regard, provoking frustration
during certain plot twists. However, Wendy and Lucy is a pleasure to look
at for its grainy greenery, hypnotic, sweeping landscape and train yard shots,
and for the story, when it centers on developing the deep bond between a lady
and her dog.
__________________________________________
Auburn Public
Theater StageRight
Friday and Saturday, September
25th and 26th
The
2nd APT CABARET
Featuring Amy & Steve
Bellamy and a cast TBA.
Every Tuesday @
7:30pm
THE TUESDAY
NIGHT MUSIC SESSIONS - This week featuring THE INFRA-RED RADIATION ORCHESTRA
(8:30pm - 10:00pm)
Come down to APT and enjoy a
casual evening of music performed by our local music community. It's a different mix of pros and amateurs
every week. Regulars include the
students of Guitar instructor Jim Van Arsdale, Scott Anderson, Mark Angier,
Chris Bauso, The APT House Band, Ramble Society, Bob Lyna, Eric Brown, Joe
Bergan, Stormer, Chris Molloy, Kevin Dorsey, GD Bower, Jon Peterson & Donna
Dennihy, Martin Seaman, PJ Gibson and lots of surprise guests.
BALLROOM
DANCING LESSONS
Nick and Jeannie will once again
be teaching Fall classes at the Auburn Public Theater on Thursdays from 7 - 9
pm. These classes concentrate on one dance for 5 - 6 weeks and build each week
from the basic steps. Call Jeannie at 209-7452 for more
info.
Thursday, September
24th @ 7:30pm
COMMUNITY
EVENTS
2009 Downtown
Auburn Summer Concert Series
On Wednesday evenings this July
and August, the streets of Downtown Auburn will once again come alive with music
as the Downtown Summer Concert Series returns for the secondyear. The series is
sponsored by Nucor Steel and The Citizen.
FREE of charge. Concerts will begin at 5:30 pm. Each show will take place
at the Exchange Street Mall. Swaby's, located on 6 South Street, will be selling
food and beer at the concerts this year. The schedule of performers this year is
as follows:
*Wednesday, August 12th - Ted
Mosley & Moondance with John Allen on vocals
Auburn Public
Theater is looking for additional members for our COMMUNITY CHORUS and for our
next CABARET PERFORMANCE
Chorus Session Begins: Sunday
September 20th.
Cabaret Performance: Fri/Sat
September 25th & 26th
If you are interested in
learning more about either event, please contact Janie MicGlire at Janie@auburnpublictheater.com or at (315)
246-4319.
Thursday,
August 27th at 7:00pm
"13" The
Musical Review
Presented by
Kids helping Kids with all proceeds going to St. Jude Children's
Hospital
Tickets at the
door: $5 (12 and under), $7 adults
To rent Auburn
Public Theater for your
creative, social or corporate event, please contact Janie MicGlire at
janie@auburnpublictheater.com
Tickets for all
APT events can be purchased online at www.auburnpublictheater.com (no fee) or at
our box office Tuesday/Friday/Saturday 7:00-10:00pm.
Visit our
online store at www.cafepress.com/aubpubtheater . Your purchases help to support the non-profit
Auburn Public Theater.
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SAIL INTO THE TEMPEST
Shakespeare-in-the-Park’s
7th Annual Show is FREE,
FREE, FREE
(but bring a bit of money for our great
vendors)
Don’t
miss out on all the fun @ the Syracuse Shakespeare Festival’s 7th
annual, free show, The Tempest, in
the beautiful Thornden Park Amphitheatre.
There will be entertainment for people of all ages both on stage and
off. Bring a picnic and the whole
family.
Tony
Brown is directing some of the finest talent the community stage offers in
Syracuse as Tony Bersani portrays the magical and wronged Duke of Milan,
Prospero, Binaifer Dabu plays his ever present though not always seen sprite,
Ariel, Basil Allen (Ferdinand) is the presumed lost son of Queen Alonsa (Kathy
Egloff) and Grace Wagner, a student at West Genesee HS, makes her feature role
debut with SSF as Prospero’s beautiful, island-sheltered daughter, Miranda.
Co-sponsored
by Syracuse Parks, Recreation & Youth Programs Dept. & generously
supported by a CNYCF PACE grant, the show is produced by Ronnie Bell, the
Producing Artistic Director of SSF. See
our website for more info @ syracuseshakespearefestival.org, call the
Shakespeare line @ 476-1835 or check out our billboard @ Fayette & West
Sts. Show dates and times are listed
below:
Thurs., Fri. & Sat., 8/13, 14 & 15
@ 5:30 pm
Thurs.,
Fri. & Sat., 8/20, 21 & 22 @ 5:30 pm
Sun.
8/16 & 8/23 @ 2:00 pm
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·
Tickets for all
APT events can be purchased online at www.auburnpublictheater.com (no fee) or at
our box office Tuesday/Friday/Saturday 7:00-10:00pm.
·
Visit our
online store at www.cafepress.com/aubpubtheater . Your purchases help to support the non-profit
Auburn Public Theater.
Auburn Public
Theater Main Stage
Friday/Saturday, July 31st and
August 1st at 2pm & 7pm
The APT Summer
Children's Program Performance:
HARRIET TUBMAN
Journey to Freedom
Our 4-week theater workshop for
young people culminates in this original Auburn Public Theater production with
music and dance, featuring 46 students from the APT Children's Summer Theater
Program. Created by Artistic Producing Director Angela J. Daddabbo, this
wonderful family friendly show presents a realistic history of the life of
Auburn resident Harriet Tubman featuring a performance by Gwen
Webber-McLeod. APT's
Children's program gives aspiring young actors a taste of life behind the
scenes--and in the spotlight--of a professional theatrical production based on a
brand new musical, "HARRIET TUBMAN, Journey to Freedom." From creating costumes
and scenery to playing major roles on stage, children from the local community
have the opportunity to spend four weeks this summer pursuing their passion for
drama led by the gifted actor/director/teacher Carey Eidel. Musical Direction: Amy Bellamy Choreography: Yvonne Villano-Hassett Costumes/Sets by Diane Bauso Sponsored by The New York State Council of
the Arts DEC Program and M&T Bank.
Saturday, August 8th at
7:30pm
JULIA NUNES
returns!
With openers
Jeff Connor and Lauren O'Connell
Having just returned from her
first performance at Bonaroo in June 2009, Julia Nunes is a ukulele and guitar
playing singer/songwriter from upstate New York, whose self-made videos on
YouTube have brought her to the attention of fellow college students, folk
purists and celebrities alike. 1980s
icon, actress Molly Ringwald, who took up the ukulele recently, famously said on
"Good Morning America" about Julia, "I've always wanted to play the ukulele, and
she completely inspired me." Piano
rocker Ben Folds found one of Julia's YouTube covers and asked her to open four
shows for him in 2008, and she dueted on stage with him in April 2009. What is
her appeal? Julia conveys intelligent
honesty, mined with humor, and a knack for picking or writing songs, which
appeal to both the ear and the heart.
Her catchy songs display well crafted lyrics and singable melodies, which
her fans say are inspiring and insightful.
Arguably Julia's appeal, aside from her talent and charm, has spread
because of her savvy use of social networking websites, specifically,
YouTube. This fact has not escaped the
blogosphere, where one can read everything from an analysis of Julia's videos as
compared to Stephen Harper, Prime Minister of Canada to a description of what
Julia does on YouTube and how to do it yourself. www.junumusic.com
WINE/BEER BAR w/proper
I.D.
Saturday, August 15th
at 7:30pm
A Concert with
BOB LYNA and FRIENDS (including Rich
Curry, Chris Bauso, Bob Brower & Chris Molloy)
Join one of Auburn's most
talented musicians and a whole host of friends for a special evening of great
music from the 50's through the 80's.
Thursday, August 20th
at 7:30pm
AN EVENING OF
MUSIC WITH JEFF CONNOR
A night of original and popular
music with local musician Jeff Connor and a backing band of other local talent
including his brother, Adam Connor and
bassist Shane Aaserud. $5 at the
door
Saturday, September
12th at 8:00pm
A Concert with
IRSHAD KAHN
Irshad Khan is considered among
the world's best Sitar players and the leading Surbahar (BassSitar) player of
his generation and among the finest instrumentalists of the world. His
individual stamp in both these instruments ascends from the distinctiveness of
his technique and mental prowess. is renowned not only for his mastery of these
two instruments, but for his unique presentation of the different genres of
Indian classical music, and his mastery of the intricate "gayaki-ang"(vocal) and
"tantra-ang"(instrumental) styles, makes Irshad Khan one of the most dynamic
musicians of today. His style is followed and inspired by many formative and
professional sitar players of his generation. His dedication to the subtleties
of the raga is in bringing out its essence in rendering its pure form of
feelings and expressions from meditative to playful, serene to heroic,
devotional to romantic. Being recognized as a child prodigy, today he has
emerged to be among the most sought after and versatile Indian musicians of
India. Has achieved unparalleled mastery over sitar-surbahar technique and in
different genres of Indian music such as Dhrupad, Khyal, Tappa, and Thumree.
With uncompromising dedication in training both vocally and instrumentally,
gained proficiency in classical vocal, hence achieved phenomenal control in
combining the intricacies of "gaiki-ang"(vocal) with the "tantra-ang"
(instrumental) styles, which has made Irshad Khan one of the world's most
dynamic musicians of today. Whether he is performing pure classical, folk, or
worldbeat/newage, audiences are stunned by his breathtaking virtuosity and
profound musicality. This remarkable versatility allows him to transcend
cultural barriers and turn each performance into a spellbinding and
unforgettable experience for audiences everywhere. Through his performances and
international press accolades and groundbreaking albums, he has proved to be an
outstanding World musician
To learn more and to hear music
samples, please visit: www.irshadkhan.net
____________________________________________________________
AUBURN PUBLIC
THEATER CINEMA
Fridays & Saturdays at 8pm *
All movies only $5 ($4 online)
July 31st and August
1st
Due to the Main
Stage production of Harriet Tubman -
Journey to Freedom, there is no film scheduled for this
weekend.
August
7th and 8th
THE
11th HOUR
Free
Admission thanks to the sponsorship of Citizens
of
Auburn for
Solar and
Hydrogen
(C.A.S.H.)
Comparisons to Al
Gore's Oscar-winning slide show will be inevitable, but there's a key difference
between the two documentaries. An Inconvenient Truth was aimed at the PBS set,
while Leonardo DiCaprio's The 11th Hour combines a traditional structure with a
more MTV-friendly pace. Of course, neither was made by these public figures.
Davis Guggenheim directed the former, while Nadia Conners and Leila Conners
Petersen are behind the latter. DiCaprio serves as producer, co-writer, and
narrator (the three previously worked on the short films Global Warming and
Water Planet). Their first feature combines a diverse array of interviews with a
dizzying variety of images, both soothing and alarming (droughts and hurricanes
vs. serene sunsets and playful polar bears). Speakers include former Soviet
leader Mikhail Gorbachev, Cambridge physicist Stephen Hawking, and progressive
CEO Ray Anderson, hero of The Corporation. Granted, there's no obvious youth
appeal in these subjects, but the presence of the Titanic
heartthrob-turned-Scorsese star, who keeps his on-screen narration to a tasteful
minimum, plus atmospheric tracks from Sigur R?s,
Coldplay and Mogwai seems likely to attract a younger crowd. And that seems to be the
point, since The 11th Hour is, at heart, a call to arms. It begins by taking a
look at the causes of global warming before exploring solutions, from eating
organic to building with solar power. There isn't a ton of new information for
environmental experts, but DiCaprio and his team have assembled a
thought-provoking primer for neophytes and potential
activists.
August
14th and 15th
UNMISTAKEN
CHILD
The Buddhist
concept of reincarnation, while both mysterious and enchanting, is hard for most
westerners to grasp. UNMISTAKEN CHILD follows the 4-year search for the
reincarnation of Lama Konchog, a world-renowned Tibetan master who passed away
in 2001 at age 84. The Dalai Lama charges the deceased monk's devoted disciple,
Tenzin Zopa (who had been in his service since the age of seven), to search for
his master's reincarnation. Tenzin sets off on this unforgettable quest on foot,
mule and even helicopter, through breathtaking landscapes and remote traditional
Tibetan villages. Along the way Tenzin listens to stories about young children
with special characteristics, and performs rarely seen ritualistic tests
designed to determine the likelihood of reincarnation. He eventually presents
the child he believes to be his reincarnated master to the Dalai Lama so that he
can make the final decision. Stunningly shot, UNMISTAKEN CHILD is a beguiling,
surprising, touching, even humorous experience
August
21st, 22nd, 28th and
29th
FOOD,
INC.
For most
Americans, the ideal meal is fast, cheap, and tasty. Food, Inc. examines
the costs of putting value and convenience over nutrition and environmental
impact. Director Robert Kenner explores the subject from all angles, talking to
authors, advocates, farmers, and CEOs, like co-producer Eric Schlosser (Fast
Food Nation), Michael Pollan (The Omnivore's Dilemma), Gary
Hirschberg (Stonyfield Farms), and Barbara Kowalcyk, who's been lobbying for
more rigorous standards since E. coli claimed the life of her two-year-old son.
The filmmaker takes his camera into slaughterhouses and factory farms where
chickens grow too fast to walk properly, cows eat feed pumped with toxic
chemicals, and illegal immigrants risk life and limb to bring these products to
market at an affordable cost. If eco-docs tends to preach to the converted,
Kenner presents his findings in such an engaging fashion that Food, Inc.
may well reach the very viewers who could benefit from it the most: harried
workers who don't have the time or income to read every book and eat
non-genetically modified produce every day. Though he covers some of the same
ground as Super-Size Me and King Korn, Food Inc. presents a
broader picture of the problem, and if Kenner takes an understandably tough
stance on particular politicians and corporations, he's just as quick to praise
those who are trying to be responsible--even Wal-Mart, which now carries organic
products. That development may have more to do with economics than empathy, but
the consumer still benefits, and every little bit counts.
September
18th and 19th
WENDY &
LUCY (R)
Kelly Reichardt's
second feature, Wendy and Lucy, has even more Pacific Northwest piney
quietude than her debut Old Joy, since its starring couple is a
canine-human pair rather than a male duo. Will Oldham again makes a charged
appearance, this time as Icky (Will Oldham), a grungy, train-hopping punk. Based
on a short story, this time Jonathan Raymond's "Train Choir," Wendy and
Lucy's dialogue is a sparse spattering amongst long, languid scenes that
moodily portray a young woman, Wendy (Michelle Williams), suffering economic
crisis and road trip malaise on her way to work Alaskan fishing boats. The bulk
of the story takes place in Portland, where her Honda breaks down and she must
engage the local mechanic (Will Patton) and Walgreen's security guard (Wally
Dalton) for honest advice and for help finding her dog, Lucy, who disappears
during one of Wendy's disasters. Wendy and Lucy would aptly be titled
Wendy's Bad Day, as problems pile up due to one main misstep. Williams does a
great job portraying a woman who is semi self-sufficient but clueless in the art
of survival. As the film speaks to many young people who have been broke and
stranded, one will inevitably wonder why Wendy makes the unwise choices she
does, for example sleeping in a dangerous area along a train track instead of
finding a safer campground, or wandering the streets looking for her lost pooch
in lieu of hunkering down for a temporary part-time job. The film straddles the
line between social realism and fantasy in this regard, provoking frustration
during certain plot twists. However, Wendy and Lucy is a pleasure to look
at for its grainy greenery, hypnotic, sweeping landscape and train yard shots,
and for the story, when it centers on developing the deep bond between a lady
and her dog.
__________________________________________
Auburn Public
Theater StageRight
Thursday, July 30th @
7:00pm
Wedding/Class
Reunion Ballroom Dancing Crash Course
Come join Nick Diego and Jeannie
Cramer for a crash course in Swing and Cha Cha dance steps - you'll learn enough
basic steps to make you look good on the dance floor at that next summer event!
Nick and Jeannie instruct you in the basic steps of traditional ballroom dance
to today's music. Come for a night full of fun and exercise - and leave amazed
that, yes, you can dance!
7:00 - 8:00 pm East Coast Swing
8:15 - 9:15 pm Cha Cha
$5.00 per person per dance OR
$7.00 per person for both dances
For more info call Jeannie at
209-7452
Auburn Public
Theater is looking for additional members for our COMMUNITY CHORUS and for our
next CABARET PERFORMANCE
Chorus Session Begins: Sunday
September 20th.
Cabaret Performance: Fri/Sat
September 25th & 26th
If you are interested in
learning more about either event, please contact Janie MicGlire at Janie@auburnpublictheater.com or at (315)
246-4319.
Every Tuesday @
7:30pm
THE TUESDAY
NIGHT MUSIC SHOW RETURNS!
Come down to APT and enjoy a
casual evening of music performed by our local music community. It's a different mix every week. Regulars include the students of Guitar
instructor Jim Van Arsdale, Scott Anderson, Mark Angier, Chris Bauso, The APT
House Band, Ramble Society, Bob Lyna, Eric Brown, Joe Bergan, Stormer, Chris
Molloy, Kevin Dorsey, GD Bower, Jon Peterson & Donna Dennihy, Martin Seaman
and lots of surprise guests.
BALLROOM
DANCING LESSONS
Nick and Jeannie will once again
be teaching Fall classes at the Auburn Public Theater on Thursdays from 7 - 9
pm. These classes concentrate on one dance for 5 - 6 weeks and build each week
from the basic steps. Call Jeannie at 209-7452 for more
info.
Thursday, September
24th @ 7:30pm
COMMUNITY
EVENTS
2009 Downtown
Auburn Summer Concert Series
On Wednesday evenings this July
and August, the streets of Downtown Auburn will once again come alive with music
as the Downtown Summer Concert Series returns for the secondyear. The series is
sponsored by Nucor Steel and The Citizen.
FREE of charge. Concerts will begin at 5:30 pm. Each show will take place
at the Exchange Street Mall. Swaby's, located on 6 South Street, will be selling
food and beer at the concerts this year. The schedule of performers this year is
as follows:
*Wednesday, July 29th - Peterson
& Dennihy
*Wednesday, August 5th - That
'70s Band
*Wednesday, August 12th - Ted
Mosley & Moondance with John Allen on vocals
To rent Auburn
Public Theater for your
creative, social or corporate event, please contact Janie MicGlire at
janie@auburnpublictheater.com
___________________________________________
FOR TICKETS AND UPCOMING EVENT
DETAILS, VISIT
www.auburnpublictheater.com
AUBURN PUBLIC
THEATER
108 Genesee at Exchange Street
(315)253-6669
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This weekend the Skaneateles Summer Theatre will present Cole Porters* timeless musical comedy *Anything Goes* at the Skaneateles High School. Performances will take place July 30th and 31st at 7:30 PM and August 1st at 2:00 PM and 7:30 PM. Tickets may be purchased at the door, or by calling (315) 685-5278. All seats are reserved. This year*s production features talented and familiar faces from past SST shows as well as many gifted newcomers to the Skaneateles Stage. Janet Kringer heads the line-up as *Reno Sweeney* backed up by her *Angels*, Alicia Frame, Gabrielle Petrosino, Brigid Clary and Meghan Clary. Other veterans of the stage include Kevin Shumway as *Moonface Martin*, Rachel Mulcahy as *Bonnie Latour*, Colgan McNeil as *Billy Crocker* and Adrianne Fedorchuck as *Hope Harcourt*. Some of the newcomers to SST include Simon Moody as *Lord Evelyn Oakleigh*, Michaela Oney as *Mrs. Wadsworth T. Harcourt*, and Matt Nilsen as *Elisha Whitney*. The production is under the outstanding direction of Bob Frame, director of the drama program at Cayuga Community College. Michael Kilcoyne, a graduate of Skaneateles, is music director for the show and will conduct our talented pit orchestra. Scenic designer Laura Andrusko heads an excellent crew of carpenters and artisans who created an impressive set design for the seafaring comedy. Costumes mistress Pam Spear and her volunteers have done a marvelous job of gathering period clothing for the show. Yvonne Hassett, artistic director for the Absolute Dance Company in Auburn, has choreographed a series of highly energetic and enjoyable dances that are a pleasure to watch for the audience, as well as challenging and fun for the cast to participate in For further information contact Bob Frame or: Micheal Kringer Skaneateles Summer Theatre Artistic and Educational Director SkanTheatre@dishmail.net 315-727-4355
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Band Concerts are held weekly during the Summer months. Admission tickets to Auburn Players productions will be raffled among other items.
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* Tickets for
all APT events can be purchased online at www.auburnpublictheater.com (no fee) or at
our box office Tuesday/Friday/Saturday 7:00-10:00pm
Auburn Public
Theater Main Stage
Saturday, July 11th
at 7:30pm
DUSTY PASCAL
and guitarist DAN BLISS, Dan Welch &
Bobby Perry
With opener Kevin
Barrigar
Wine/beer bar with proper I.D.
Dusty Pascal: The 32-year-old Skaneateles, NY
resident has a refreshingly old soul, and he expresses himself lyrically like a
modern version of acoustic icon John Prine. Early on, I was influenced by guys
like Kris Kristofferson and Jim Croce, because that's who my dad listened to,
but actually, I was most influenced by my dad, who's a songwriter himself. Since
his father first put a guitar in his hands at age 13, Pascal has trusted his
musical instincts and has refused to let the commercial side of the music
business affect his creative process. Writing music has never been about the
money, he said. One of the most likable qualities of Pascal's music is that,
unlike some bands who try to boast about their musical skill while playing or
singing, he lets the tunes speak for themselves. I try not to waver too far from
what the feeling of the song represents. My philosophy is to put you in the
room, I like it better when you can hear little inconsistencies like the pop' of
a guitar string or something. I've always just had a real appreciation for the
honesty of the music. I like to think of my albums as a sequence of life, he
explained. So 20 years from now, I can look back at the songs and really know
what was happening in my life at the time. Connecting with his audience is
Pascal's greatest attribute. You want to say as much as you can while you're up
there on the stage, he said. I don't know how long I'll be able to (write and
play) music. I have five kids and a business, and they come first. So I want to
express as much as I can while I still have the chance to do
it.
Dan Bliss: Dan Bliss is an acoustic roots
musician with a well traveled play list of traditional blues, folk and swing
tunes. The Kansas City guitarist has
twice made the top three (2005 & 2007) in the FINGERSTYLE GUITAR
CHAMPIONSHIP at the WALNUT VALLEY FESTIVAL in Winfield KS. His all original CD "THAT'S WHAT I'M HERE
FOR" was released last year and his busy schedule this summer includes his third
appearance at the NEW YORK STATE BLUES FESTIVAL in his home town of Syracuse,
NY. Bliss has performed in Kansas City
and around the Midwest for over 20 years and has opened shows for artists such
as Steve James, Honeyboy Edwards, Marcia Ball, The Waybacks, John McCutcheon,
and St. Louis blues legends Henry Townsend and Johnnie Johnson. In addition to working as a solo act, he has
also played with KELLEY HUNT, his own band BLUETONIUM and on numerous acoustic
duo gigs with jazz guitar great ROD FLEEMAN.
Most recently he and Fleeman joined with guitarists TOM DEMASTERS and
BILL DYE in "KC GUITAR 4" a jazz and blues guitar quartet. For more info please visit www.danbliss.com
Tuesday, July 14h at 7:30pm CANCELLED!
A concert with
GURUGANESHA SINGH
Due to
circumstances beyond our control, this show has been cancelled. We apologize for the inconvenience. If you
have already purchased a ticket, you will receive a full
refund.
Friday/Saturday, July 31st and
August 1st at 2pm & 7pm
The APT Summer
Children's Program Performance:
HARRIET TUBMAN
Journey to Freedom
An original Auburn Public
Theater production with music and dance, featuring our students from the APT
Children's Summer Theater Program.
Sponsored by The New York State Council of the Arts DEC Program and
M&T Bank.
Musical Direction: Amy
Bellamy Choreography: Yvonne
Villano-Hassett Direction: Carey
Eidel
Saturday, August 8th at
7:30pm
JULIA NUNES
returns!
With openers
Jeff Connor and Lauren O'Connell
Having just returned from her
first performance at Bonaroo in June 2009, Julia Nunes is a ukulele and guitar
playing singer/songwriter from upstate New York, whose self-made videos on
YouTube have brought her to the attention of fellow college students, folk
purists and celebrities alike. 1980s
icon, actress Molly Ringwald, who took up the ukulele recently, famously said on
"Good Morning America" about Julia, "I've always wanted to play the ukulele, and
she completely inspired me." Piano
rocker Ben Folds found one of Julia's YouTube covers and asked her to open four
shows for him in May 2008, and she dueted on stage with him in April 2009. What
is her appeal? Julia conveys intelligent
honesty, mined with humor, and a knack for picking or writing songs, which
appeal to both the ear and the heart.
Her catchy songs display well crafted lyrics and singable melodies, which
her fans say are inspiring and insightful.
Her cover songs, from the Beatles, Beach Boys and Nat King Cole to Say
Anything, Motion City Soundtrack and Spoon, express her love of good music and
demonstrate a musical knowledge of popular sounds which transcend genre. A child
and grandchild of musicians, Julia's heritage includes Portuguese fado music,
Jazz and rock and roll. Her own musical
journey began at the tender age of 7, when she started piano lessons, but didn't
really take off until she was given a guitar in her early teens. Her first song was written at 14. Her first CD of original songs, no longer
available, was released when she was 17.
The second CD, "Left Right Wrong", the title of which reflects Julia's
difficulties with direction, was released at 18. Her third, "I Wrote These" followed a year
later. She is currently in the studio
recording a new collection of original songs. Arguably Julia's appeal, aside
from her talent and charm, has spread because of her savvy use of social
networking websites, specifically, YouTube.
This fact has not escaped the blogosphere, where one can read everything
from an analysis of Julia's videos as compared to Stephen Harper, Prime Minister
of Canada to a description of what Julia does on YouTube and how to do it
yourself.
____________________________________________________________
AUBURN PUBLIC
THEATER CINEMA
Fridays & Saturdays at 8pm *
All movies only $5 ($4 online)
July 10th and
11th
ENLIGHTEN
UP
The documentary
Enlighten Up! takes a whimsical, skeptical, and ultimately thoughtful
look at the mysteries of yoga. Taking an approach similar to Supersize
Me, filmmaker (and student of yoga) Kate Churchill wants to see what happens
when someone is first exposed to this physical and spiritual discipline. She
chooses Nick Rosen, a former journalist with a skeptical attitude towards
religion. Their investigation--which gradually turns combative, forcing
Churchill to re-examine her own assumptions--takes them from the commercial yoga
studios of New York (where one student says, with a beatific smile, that yoga
gives you better sleep, better sex, and will inspire new ways to make money) to
a former pro wrestler's "t & a" yoga in Los Angeles and on to India--where
they discover as many perspectives on yoga as there are yogis. Rosen, with his
open but down-to-earth attitude, proves an excellent lens to view a subject all
too often treated with blissful and vapid reverence. The movie is sprinkled with
humor and people twisting themselves into astonishing shapes, as well as
stimulating and often contradictory ideas and metaphors that paint a very
diverse picture of the world of yoga. Enlighten Up! blends philosophical
discourse, personal drama, and a beautiful travelogue--the result is a
satisfying film that doesn't pretend to have any answers but grapples with
intriguing questions.
July 17th and
18th
FREE
SPIRITS
When high school drop-out
Michael Metelica and eight hungry friends retreated to a rural Massachusetts
treehouse in 1968, they never imagined it would grown into one of the largest,
most controversial New Age communes of the 1960s
and 70s. At its peak, the
Brotherhood of the Spirit (later named Renaissance Community) had nearly 400
full-time members, real estate in four Massachusetts downs, an airplane, music
recording and filmmaking facilities, and a million dollar a year income. Many
members stayed a decade or longer, committing their youth, sweat and worldly
possessions to building an intentional community that they
hoped would serve as a model of
brotherhood and spiritual awareness for the whole world. For some, their time
there was the highlight of their lives, filed with humor, danger, intense
personal growth, and daily absurdity. For others, it was a cultish nightmare.
Their story reflects the 60s/baby boomer generation, as they survived the
hostility of the towns around them - fire bombings, the brutal murder of a
member - only to fall because of internal forces, including the changes in their
founder and leader, Michael Metelica Rapunzel.
July 24th and
25th
THE REAL DIRT
ON FARMER JOHN
The award-winning true story of
third-generation American farmer John Peterson's hero's journey of success,
tribulation, failure and rebirth. Peterson is a true American original. His
story parallels that of the family farm in 20th Century America. What makes The
Real Dirt on Farmer John so special is the fact that John Peterson is not only a
farmer....he's an artist, too.
July 31st and August
1st
WENDY &
LUCY (R)
Kelly Reichardt's
second feature, Wendy and Lucy, has even more Pacific Northwest piney
quietude than her debut Old Joy, since its starring couple is a
canine-human pair rather than a male duo. Will Oldham again makes a charged
appearance, this time as Icky (Will Oldham), a grungy, train-hopping punk. Based
on a short story, this time Jonathan Raymond's "Train Choir," Wendy and
Lucy's dialogue is a sparse spattering amongst long, languid scenes that
moodily portray a young woman, Wendy (Michelle Williams), suffering economic
crisis and road trip malaise on her way to work Alaskan fishing boats. The bulk
of the story takes place in Portland, where her Honda breaks down and she must
engage the local mechanic (Will Patton) and Walgreen's security guard (Wally
Dalton) for honest advice and for help finding her dog, Lucy, who disappears
during one of Wendy's disasters. Wendy and Lucy would aptly be titled
Wendy's Bad Day, as problems pile up due to one main misstep. Williams does a
great job portraying a woman who is semi self-sufficient but clueless in the art
of survival. As the film speaks to many young people who have been broke and
stranded, one will inevitably wonder why Wendy makes the unwise choices she
does, for example sleeping in a dangerous area along a train track instead of
finding a safer campground, or wandering the streets looking for her lost pooch
in lieu of hunkering down for a temporary part-time job. The film straddles the
line between social realism and fantasy in this regard, provoking frustration
during certain plot twists. However, Wendy and Lucy is a pleasure to look
at for its grainy greenery, hypnotic, sweeping landscape and train yard shots,
and for the story, when it centers on developing the deep bond between a lady
and her dog.
August
21st, 22nd, 28th and
29th
FOOD,
INC.
For most
Americans, the ideal meal is fast, cheap, and tasty. Food, Inc. examines
the costs of putting value and convenience over nutrition and environmental
impact. Director Robert Kenner explores the subject from all angles, talking to
authors, advocates, farmers, and CEOs, like co-producer Eric Schlosser (Fast
Food Nation), Michael Pollan (The Omnivore's Dilemma), Gary
Hirschberg (Stonyfield Farms), and Barbara Kowalcyk, who's been lobbying for
more rigorous standards since E. coli claimed the life of her two-year-old son.
The filmmaker takes his camera into slaughterhouses and factory farms where
chickens grow too fast to walk properly, cows eat feed pumped with toxic
chemicals, and illegal immigrants risk life and limb to bring these products to
market at an affordable cost. If eco-docs tends to preach to the converted,
Kenner presents his findings in such an engaging fashion that Food, Inc.
may well reach the very viewers who could benefit from it the most: harried
workers who don't have the time or income to read every book and eat
non-genetically modified produce every day. Though he covers some of the same
ground as Super-Size Me and King Korn, Food Inc. presents a
broader picture of the problem, and if Kenner takes an understandably tough
stance on particular politicians and corporations, he's just as quick to praise
those who are trying to be responsible--even Wal-Mart, which now carries organic
products. That development may have more to do with economics than empathy, but
the consumer still benefits, and every little bit counts.
__________________________________________
Auburn Public
Theater StageRight
Saturday, July 11th
9:30am - 11:30am
Auditions for
CABARET: BROADWAY THROUGH THE AGES
For singers 18 and up. Sing 16 bars, a capella. Be prepared to do
some sight reading.
Auburn Public
Theater is looking for additional members for our COMMUNITY
CHORUS
First Rehearsal for fall Chorus
Session: Sunday September 20th
If you are interested in
learning more, please contact Janie MicGlire at Janie@auburnpublictheater.com or at (315)
246-4319.
Every Tuesday @
7:30pm
THE TUESDAY
NIGHT MUSIC SHOW RETURNS!
Come down to APT and enjoy a
casual evening of music performed by our local music community. It's a different mix every week. This
week APT welcomes the guitar students of Jim VanArdsdale @ 7:15pm. $2
Thursday, July 30th @
7:00pm
BALLROOM
DANCING LESSONS
Learn the basics of Swing and
Cha Cha Dancing. Great for those Summer
events!
For more information, please
contact Jeannie Cramer at 209-7452
COMMUNITY
EVENTS
2009
Downtown Auburn Summer Concert Series
On Wednesday evenings this July
and August, the streets of Downtown Auburn will once again come alive with music
as the Downtown Summer Concert Series returns for the secondyear. The series is
sponsored by Nucor Steel and The Citizen.
FREE of charge. Concerts will
begin at 5:30 pm. Each show will take place at the Exchange Street Mall.
Swaby's, located on 6 South Street, will be selling food and beer at the
concerts this year. The schedule of performers this year is as
follows:
*Wednesday, July 8th - Dave
Hanlon's Cookbook
*Wednesday, July 15th - Donna
Colton & the Troublemakers
*Wednesday, July 22nd - Flyin'
Column
*Wednesday, July 29th - Peterson
& Dennihy
*Wednesday, August 5th - That
'70s Band
*Wednesday, August 12th - Ted
Mosley & Moondance with John Allen on vocals
To rent Auburn
Public Theater for your
creative, social or corporate event, please contact Janie MicGlire at
janie@auburnpublictheater.com
___________________________________________
FOR TICKETS AND UPCOMING EVENT
DETAILS, VISIT
www.auburnpublictheater.com
AUBURN PUBLIC
THEATER
108 Genesee Exchange Street
(315)253-6669
Convenient parking next door in
the City Parking Garage
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Technorati Tags: DAN BLISS, Guitar, GuruGanesha Singh, Jazz guitar, Jim Croce, John Prine, Kris Kristofferson, Music
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